Richard Laidlaw’s review of Ross Fitzgerald and Antony Funnell’s ‘So Far, So Good’
Let Him Eat Cake
by Richard Laidlaw
Review of Ross Fitzgerald and Antony Funnell,’So Far, So Good : An Entertainment'(Hybrid Books, Melbourne, 2018)
IT must be very difficult being a political satirist these days. So many politicians, to a man and woman, get underfoot with plots that would outdo a Goon Show episode and leave their writers wringing their hands in frustration: Why couldn’t we think of that?
So we owe a deep debt of gratitude to Griffith University historian professor Ross Fitzgerald and ABC broadcaster Antony Funnell for giving us the latest chronicle, the sixth, of the fanciful world of Professor Dr Grafton Everest. In 2015, Everest found himself Going Out Backwards. Apparently this difficult manoeuvre, performed with co-writer Ian McFadyen and shortlisted for the 2017 Russell Prize for Humour Writing, must have worked. In 2018 Everest has reappeared with another misadventure. Somehow this prompts fond remembrance of the Irish scaffolder who plunged from the thirtieth floor and was heard to suggest as he passed the fifteenth that it was OK so far.
These days, in the symbiotic worlds of populist politics and instant twitterdom, serious writers of farcical fiction face significant difficulties. In Australia, where Everest in ‘So Far, So Good’ builds on his already established presence as the man who briefly held the balance of power in the Senate and was premier of the state of Mangoland for ten days, and in Britain, he becomes an instant celebrity via a series of tweets of unsurpassed vacuity. They’re good landscapes for political vacuity, the crowned republic and the septic isle, sitting as they do right on fault lines between sense and nonsense. The earth moves frequently, creating significant shocks on the open-ended Rictus scale.
Several unpublished amateurs are in the mix there, operating on the shifting lines that no longer fully divide intelligent satire from unbelievable farce. There’s Australia’s latest revolving door prime minister, whose campaign bus which he has vacuously labelled with his ScoMo pitch runs around without him on board, because he has a busy schedule, you see, and lots of important things to do (like upset the Indonesians and a valuable trade deal in pursuit of a few extra votes in the Wentworth by-election that his party didn’t win anyway). He can’t waste time on the ground. He has to fly. Still, there’s a giggle in the thought that he’s labelled the very bus that he’ll almost certainly be going under, metaphorically, on Election Day.
Meanwhile his opponent Shorten (or is it Curly?) keeps his head down and some contentious policies under wraps. No point in taking fire if leading members of the other mob are running around all over the place offering themselves as targets. Besides, his political friend in NSW, the just departed opposition leader Luke Foley, has recently acquired public notoriety and Very Silly Boy status by letting his hands do the walking at Christmas drinks in 2016 and trying to avoid the consequences until – as was inevitable – someone on the other side, corrections minister David Elliott in this instance, poured a bucket on him under parliamentary privilege.
In these circumstances, the chroniclers of Everest have done a sterling job. In ‘So Far, So Good’, the good professor-doctor even becomes president-presumptive of the forthcoming Republic of Australia, by virtue of his instant further celebrity, a venally vacuous PM, a series of farcical incidents in Australia and Britain, and acquaintance with a smart robot whose real task is to spy on him but who covers himself in virtual glory by also baking cakes. Everest has a strict wife who rations everything from sex to comfort food. Many will sympathise with him in this predicament.
Among the walk-on characters in the latest misadventures of Professor Dr Grafton Everest is a large, assertive woman who was once a leading politician and is now Australia’s ambassador to the U.S.A., the U.N., Italy and the Vatican. A good gig if you can get it and you like Fifth Avenue and Milanese millinery. There are other vignettes that strike a chord for anyone well versed in Mangoland’s history and culture – one senior female academic, for example – and the labyrinthine nature and Byzantine ways of Canberra. People sometimes ask themselves if they miss this suspect bouillabaisse. The sensible among them are apt to answer no.
‘So Far, So Good’ – the title sounds like a lift from ‘The Compleat Optimist’ – takes the reader on a manic ride around the commercially focused universities of the Neocon Age, through the drivel-strewn gulches of Western politics (where are the Apaches when you really need them?) and the obsession with eyes down, two thumbs technology, fear of outsiders and distrust of elites that misinforms modern dialogue.
As a certain British wartime ambassador to Moscow observed, in a report to the Foreign Office in London that he typed himself and which remained suppressed for fifty years – it noted the arrival of his new Turkish counterpart, Mustafa Kunt – in dark days one looks for little shafts of light from heaven. Fitzgerald and Funnell have provided one with Everest’s latest dispatches. Its cover is evocative too. It features a lovely illustration by Alan Moir, the Fairfax cartoonist, to whom the book is dedicated.
It’s now in my library. I’ve put it next to my volume of ‘Collected Rants’. It seems a very suitable prophylactic against the tsunamis of confected angst that otherwise threaten to submerge us.
So Far, So Good. By Ross Fitzgerald and Antony Funnell. Hybrid Books, Melbourne. Paperback and e-book. IBSN 978-1-925272-97-0 (p) | 978-1-925282-55-9 (e)
November 19, 2018
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